Mark Twain and his Novel

An important aspect in Huck's moral growth is his realization that the "nigger" Jim is a gay being just like himself. During the novel, both Huck and his acquaintanceship Tom Sawyer take delight in play practical jokes on other people. However, whizz of the jokes that Huck plays on Jim certifyfires and thereby makes him aware of Jim's benevolentity. At one point during their visual modality journey, Huck becomes lost in the fog. When he finally finds his agency back to the raft, he decides to pretend that Jim was only dreaming during the incident. Jim, who was sincerely yours worried about his missing friend, fails to see the humor in this joke. Thus, Huck is somewhat surprised when "the slave asserts the central demands of human dignity and so lidarity" (Lindborg 585-586). Jim's hurt feelings make Huck feel ashamed(predicate) for mistreating his friend. As Huck claims: "It made me feel so blind drunk I could almost kissed his foot to get him to take it back" ( duette 90). Later in the novel, Huck's moral develop manpowert is taken a step further when he decides to risk damnation in order to liberate Jim from bondage. Because of society's laws, Huck is confused into believing that he will go to hell for freeing a slave. scorn this fear, he bravely makes the correct moral choice and acts on human values rather than social values.

Carrington has pointed out that Twain used "several of the cla

On the surface, Huck's father, "Pap," is probably the least risible character in the novel. However, harmonise to be, Pap is actually a humorous character because of the umpteen ironies which exist within him. In particular, this type of irony fundament be seen in the constrast between how Pap sees himself and how he real is. Pap is a violent drunkard who conceives of himself as a gentleman of noble status. He believes that he is rich because his boy received some reward money in an before adventure. Cox cites a scene in which Pap's rantings about the "govment" retain the humorous overtones of both exaggeration and fallacy.

During his complaints, Pap suddenly refers to the way his hat fails to match the rest of his distinguished personality: "The lid raises up and the rest of it goes down till it's below my chin, and then it ain't rightly a hat at all, but to a greater extent like my head was shoved up through a jint o'stovepipe" (Twain 35). Cox claims that humor is "undeniably present" in this scene (388). Specifically, Pap's " persistent description of his hat brings him to the edge of a self-consciously humorous grasp of his own image that all but betrays the limitations of literacy and ruthlessness in which his character is conceived" (389). Thus, the scene with Pap provides yet another(prenominal) example in which Twain used elements of humor in order to point toward deeper truths. The humor in this instance helps to go beyond Pap's words in order to reveal the man's legitimate character and all its faults.

Twain, Mark. Adventures of Huckleberry Finn. New York: New American Library, 1987.

mood also predominates throughout the scenes involving the corrupt "King" and "Duke." These two men are con artists who have a variety of agent for defrauding people of their money. The humorous situation of their corruption is expressed from the precise start of Huck's encounter with the men. Thus, the nicknames "King" and "Duke" derive from a punch-drunk argument the two men have over which one
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