The setting of a invention is often an outward-bound reflection of inner turmoil. It is the physical depiction of the metaphysical. Humans be enigmatic creatures who hide emotions beneath the surface of their skin, with a crooked smile or a hard look. In Apocalypse Now, the soldiers may surf the waves of a foreign earth in order to re ass fear with familiarity, but a bravado that stems from an inability to confront the truth will and perpetuate oppression. The Vietnam War parallels the colonization of Africa, the setting of Conrads unused Heart of Darkness. Both were cruel ventures where man sought to reform man; in the jungles of Africa it is with guns and Christianity, and in the jungles of Vietnam it is with guns and democracy. Liberation is often enforce; and in both novel and movie, the expeditions cash advance up the sinuous river is marked with increasing chaos and anarchy. separately station is a terminal to hell and each ace brings the expedition closer to humanitys heart of darkness.
mottle and smoke shroud the actions of imperialist and solider in both narratives. In securing a point of entry for Willard, Kilgore rains death and napalm on the Viet Cong at Charlies point and the area becomes a hazy mark of ruin.
The smoke highlights the ambiguity of their actions in liberating the natives as does the fog in the novel. The dead Viet Cong are claimed by Kilgore with death cards so that others will know to fear him. The beach becomes a place of death like the Outer Station in the novel is a grove of death. The populations of both areas are characterized in dehumanizing terms. The Africans are black shadows of disease and starvation, and the wounded Viet Cong seen as Kilgore walks through the village throwing cards at bodies echoes this inhuman depiction. Kilgore and the soldiers speak of the Viet Cong in military jargon using terms such as sappers and Charlie. These terms remove the enemy from humanity in the style that savages and...If you want to get a full essay, order it on our website: Orderessay
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