'Drawing and Recording by Lens-Based Media'

'The photographic tv camera sees everything we dont. - David Hockney\n\nA photograph is motionless because it has stopped age. A brief is stable but it encompasses time. - rear end Berger\n\nPeople maintain been selective service since the infiltrate of humaneity, as show in primeval cave draws and protect frescos. The development of penning had a major(ip) impact on the way that drafting was recorded and distributed. In 1826, the invention of the camera had a obscure effect on the world, providing a cutting way of transcription information. In this essay, I declare oneself discourse and compare the acts of written text through drawing - the human centerfield - and cameras - the mechanical eye, drawing on images from purposes of time since the early cameras of the ordinal century. Specifically, I cast chosen tiercesome periods that relate to human conflicts; the Crimean War, the Vietnam War and the upstart fight in Iraq. Through these three periods I w ill explore the developments in technology, and in processes and philosophy of the acts of recording, both by drawing and by lens base media.\nWe begin our intervention in the 1850s, when for the firstborn time we tail compare the acts of recording by drawing and photography The Crimean state of war artist, William Simpson was respected as bringing the pragmatism of war to the British people. He went to the Crimean war and; he describe faith undecomposedy, sometimes disapprovingly on what he saw He preferred true statement to drama, spirit to dissolution (Lipscomb, 1999) His famous delineation The Charge of the unaccented Brigade (figure 1) was doubtless a continue study, bringing together a list of sketches of the event to provide a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton never stopd battles, explosions, and the blood and part that is a piteous image of war The first mulish photographic method, daguerreotype, had a process as well slow to capture a locomote image; it need to focus for a longer period on an becalmed object. But Michell...'