The structure of Act III, Scene ii, is similarly unique in that it represents a play-within-a-play. The performance of The Mousetrap catalyzes the climax of the play and also adds depth to the structure of Hamlet, so plenteous in structure, detail, and themes that John Dover Wilson (1964) writes that the play "has more facets than some(prenominal) other jewel in Shakespeare's crown" (107).
Part of the multifaceted nature stems from the unique structure Shakespeare uses, like putting the climax of the play in the nerve centre and using the play-within-a-play concept.
Wilson, J. D. (1964). The Essential Shakespeare. Cambridge: Cambridge Univ. Press.
The structure of Hamlet also uses analog action and characterization to enhance the drama. For example, during the same events when Hamlet is belie madness, Ophelia actually goes mad and commits suicide. Likewise, at the same time we are watching a play the characters in Hamlet are watching a play. Another parallel is that of accidental death. Hamlet mistakenly kills Polonius in his mother's bedroom, while in Act V, Scene ii, Gertrude will be killed by mistakenly drinking the poisoned wine meant for Hamlet. Another parallel of structure in the play revolves roughly Hamlet and Laertes. The climax of the play occurs when Hamlet becomes aware of Claudius' guilt. This is because his final stage is to kill the murderer of his father. However, he duels with Laertes in the final Act because he inadvertently kills Polonius. Thus, we have the play begin with one son trying to avenge his fat
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